Statement

My work explores self-knowledge through a multidisciplinary practice that brings together sculpture, painting, drawing, installation, and object-based work. I engage with these media as sites of intersection between image, matter, and memory, questioning the production, circulation, and consumption of images within a techno-contemporary context defined by saturation and ephemerality. I am particularly interested in how this constant flow weakens the experience of permanence and reshapes our relationship with memory.

The central axis of my research is the deconstruction of the layers of the self, understood through Freudian psychoanalysis as a structure composed of the conscious, the preconscious, and the unconscious. These notions are materially translated into processes of accumulation, veiling, fragmentation, and assemblage, in which the construction of the artwork functions as an archaeological operation that activates tensions between presence and absence.

I conceive memory as a dynamic accumulation of embodied experiences, in which the archive becomes an active material for the construction of new visual narratives.

A fundamental part of my process involves the revision of my intimate archive, composed of photographs, toys, furniture, and other everyday objects that I incorporate into the work as symbolic activation devices. These elements contain emotional and temporal traces that, when recontextualized, allow the hidden to be materialized and challenge the notion of the past as something fixed, while simultaneously proposing a form of resistance to disappearance and forgetting.

In parallel, my work investigates the thresholds between exposure and protection, generating spaces that oscillate between fragility and containment. Within this framework, the recurring motif of “the House” appears as a metaphor for memory: a site of refuge but also of psychic projection, where intimate experiences are condensed and connections with the intangible are established.

For me, remembering is not a simple return to the past, but an active act of reconstruction that allows experience to take root and be re-signified in the present.