Statement

My work explores self-knowledge through a multidisciplinary practice that integrates sculpture, painting, drawing, installation, and objects. I work with these media as spaces where image, matter, and memory intersect, questioning the production, circulation, and consumption of images in a techno-contemporary context characterized by saturation and transience. I am particularly interested in how this constant flow weakens the experience of permanence and affects our relationship with memory.

I conceive of memory as a dynamic accumulation of bodily experiences, in which the archive becomes an active material for the construction of new visual narratives, understood materially in processes of accumulation, categorization, glazing, fragmentation, and assembly, where the construction of the work functions as an archaeological operation to activate tensions between presence and absence.

I seek to establish a dialogue between the interior and the exterior, the past and the present, the visible and the latent, making the work a space of transition.

At the same time, my work investigates the boundaries between the exposed and the protected, generating spaces that oscillate between fragility and containment. In this vein, the recurring motif of “The House” appears as a metaphor for memory: a place of refuge but also of psychic projection, where intimate experiences are condensed and links with the intangible are established.

For me, remembering is not a simple return to the past, but an active act of reconstruction that allows us to root and re-signify experience in the present.